Proudly based in Dallas, Texas Audacity Theatre Lab is a platform for the imaginations of a collective of individual theatre artists. The artists of ATL are empowered to use the company as an outlet for the creation of new theatre projects, be they bold re-imaginings of existing works or the incubation and exploration of completely original works for the stage.
Loop Review: Beware of Plastics / Robert's Eternal Goldfish In this odd double bill of Actor's Conservatory Theatre and Audacity Theatre Lab, Brad McEntire once again proves himself a master storyteller. TheaterJones.com | by Kris Noteboom | published Saturday, March 8, 2014 ... If the first show in this double feature was the beginners, then Audacity Theatre Lab’s Robert's Eternal Goldfish is the master.
Created and performed by Brad McEntire, he plays Charlemagne J. Roberts, a man filled with hate. He begins by recounting a tale of a snorkeling excursion gone wrong. This lays the groundwork for his generally negative outlook towards life. However, after a chance and tragic encounter with his polar mood opposite, a particularly cheerful young woman, Roberts finds himself buying a goldfish in tribute to her. Of course, being such a sad sack, Roberts soon grows tired of the fish and flushes it. But, there’s something wrong. This fish doesn’t seem to die. One of McEntire’s many talents is being able to couch very real meditations on life into extraordinary stories. This show allows him to flash his bad boy side with hilarious ends. Normally a very pleasant man, it’s a lot of fun to see McEntire mean and complain about everything. His commitment to the role is believable and laugh inducing. Yet, when it’s all said and done, both Roberts and the audience learn a little something. This double feature performance is a strange pairing. The shows have nothing in common and represent a huge gap in talent and experience. That said, it’s worth giving the girls of Beware of Plastics a chance, if only to get to the awesome Roberts’ Eternal Goldfish.