Friday, April 6, 2012

RASPBERRY FIZZ review from Critical Rant

WaterTower’s Out of the Loop 2012: Three Winners

By Alexandra Bonifield ~ CriticalRant.com

Raspberry Fizz: Audacity Theatre Lab brings out Brad McEntire’s sweet little “short story” of a play about two mid 20th century teen-agers on a stoop, learning to negotiate the tricky pathways of male/female attraction and communication, while a carnival barker interjects a darker level of commentary on life’s risks in a nearby fantasy reality. It’s charming to watch, directed handily by Andy Baldwin, and features regional favorites Jeff Swearingen, Natalie Young and Shane Beeson in its three roles with minor props or set elements. It feels like a work in the germinating stage, more of an appetizer than a full meal. Cleverly written and very well acted, you’ll finish wanting to know what happens next….

RATING: “Might see”, depending on what it’s paired with. Runs Tuesday, March 6 at 7:30pm, and Friday, March 8 at 8pm.

Thursday, April 5, 2012

RASPBERRY FIZZ review that almost slipped by...


We just stumbled on one more great review of RASPBERRY FIZZ. Over on the Stage Directions Blog. Here's what it had to say...

Three Reviews From the Out of the Loop Fringe Festival.

A Most Happy Stella, Waking Up and Raspberry Fizz
by Christopher David Taylor ~ March 5, 2012 ~ Stage Directions Blog 

Raspberry Fizz, by Brad McEntire and directed by Andy Baldwin (who opened Lord of the Flies at Level Ground Arts on the same night) is a delightful piece of theatre, expertly acted by Jeff Swearingen, Natalie Young and Shane Beeson. 

The piece tells the story of a young boy and girl on the cusp of teen-hood, the boy wanting to ask the girl to a harvest dance. The Carnival Barker is there to create a sense of mystery and he continually recites a mantra designed to capture the interest of the young boy. Swearingen as Ellson hits all the right physical notes with his character; one would hardly believe he wasn’t a child based on his physicality. Young as Samantha is pitch perfect in her flat, midwestern accent that reminded me of something out of Meredith Wilson’s The Music Man. Beeson’s Barker was a little more challenging. At times his patter came across as forced but it didn’t detract from the overall performance. The final moment of the piece, Swearingen and Young dancing slowly, was a nice end to the evening. Tension built up and released by the slightly childish dancing on the part of the two actors.

What was interesting for me in the double bill was the difference in the age of the performers. Grayman is made up of University students and Audacity Theatre Lab’s cast is decidedly not but the two groups in the same space within the same time frame created two distinctly different but complimentary pieces of theatre. Searching for love and purpose, belonging and a cold raspberry fizz.

Wednesday, March 28, 2012

EYE IN THE SKY ep. 6 coming soon


With pieces by Vicki Cheatwood, Mark Rigney and Zack Gonzales... coming soon.

To recap: our contributors so far have been...

EPISODE 1
James Comtois (New York)
Andy Eninger (Chicago)
Chris Humphrey (Austin)

EPISODE 2
Erin Courtney (Brooklyn)
Greg Romero (Philadelphia)
Daniel Talbott (New York)

EPISODE 3
Jason Tremblay (Austin)
Crystal Skillman (New York)
Ben Walker Sampson (New York)

EPISODE 4
Gary Winter (New York)
Jeff Swearingen (Dallas)

Chris Alonzo (Brooklyn) 

EPISODE 5
John Flores (Dallas)
Jeff Hernandez (Dallas)
Ken Urban (New York)

EPISODE 6
Vicki Cheatwood (Dallas)

Zack Gonzales (Austin)
Mark Rigney (Evansville, Indiana)

Saturday, March 24, 2012

ATL on SoundCloud


Audacity is very pleased to now have a SoundCloud channel. Listen to the EYE IN THE SKY episodes there. Download, comment, what-have-you...

Visit it here.

Friday, March 9, 2012

Another delightful RASPBERRY FIZZ review

Theater review: Raspberry Fizz at Out of the Loop Fringe Festival in Addison

PegasusNews.com - Thursday, March 8, 2012 - by Mary L. Clark of John Garcia's The Column

In the continuing saga of the Out of the Loop Fringe Festival, I journeyed back over to Addison Theatre Center to see two individual theatre's one-acts. A gusty, cloudy evening made for perfect play watching in their Studio Theatre.

First up was Audacity Theatre Lab and what was described as "A Sweet New Play" by local playwright and founder of Audacity, Brad McEntire. Entitled Raspberry Fizz (playing once more on March 9), a sweet play it was, set in 1949, when Truman was president and minimum wage was going up to 75 cents an hour. Dubble Bubble was the gum of choice, that fizzy soda was only 5 cents, and the worst thing you would ever say to someone was "Go suck an egg!"

A mysterious street corner barker sits in front of a record player and a taped up box. At intervals, he puts the needle on the record and tells passersby to witness "the expected, the unsuspected." Reciting short tales of unusual events, oddities, like those in the back of sensation rags, the barker then returns to his stool and paper.

Ellison has come to that same corner for the last five days, in particular to the stoop where high school friend Samantha has been, with an important question to ask her. But the "cat's got his tongue" and he just can't muster up the courage. Talking about what they want to be when they grow up, "Sam" teases "Ellie," calls him a sap and a square, and generally they both pass the time. Samantha is a flirt who gets poor Ellison to buy her things. As he leaves to purchase gum, he passes the barker, asks him what he's up to, and the con begins. In what McEntire describes as "a heart-warming exploration of expectations and the potentialities of the unmapped future tied up in ... an encounter between two young adolescents in small town America, Raspberry Fizz reminds us of an innocence we'll never see again.

All three actors used their talents to take the audience to that more innocent time -- when dreams were made on the steps of a stoop instead of playing the lottery or getting on a reality TV show. Your future or fortunes could change for just a nickel.

Shane Beeson played the barker with the friendly yet smarmy personality a good con artist needs. Both older than their characters, Natalie Young and Jeff Swearingen played that bygone era's youth with sincerity. Not trying to fake younger, they instead relied on the emotions of great potential all Americans felt coming out of World War II. Young was all smart-alecky, gum chewing, and kidding around as Sam. Swearingen made use of his natural clown/comic facial and body gestures to portray put upon Ellison as a true sad sack.

A thoughtful conception piece, a fun trip down a memory lane I traveled a bit of, and a sweet slice-of-life, coming-of-age play made Raspberry Fizz a tiny wonderment.


original post here.