Sunday, March 31, 2019

Announcing the 2019 Dallas Solo Fest

Mel Moseley will present Sexology: The Musical!

Audacity Theatre Lab is pleased to announce the 2019 Dallas Solo Fest, June 6-16, 2019 at Theatre Too! downstairs at Theatre Three at the Quadrangle in Dallas’ Uptown neighborhood.  Eight unique one-person shows highlight this fifth year festival with a mix of local solo performers and performers coming in from around the country. 
 
This 2019 Dallas Solo Fest line-up includes Based On Actual Events by Jaye Lee Vocque, Brigham Mosley’s Critical, Darling!, Cyrano A-Go-Go by Brad McEntire, Justin Lemieux’s Girl Dad, Keeping Up With the Jorgensons by Jeremy Julian Greco, Carmel Clavin’s The Marvelous Musical Mechanical Maiden, Melanie Moseley’s Sexology: The Musical! and Who You Calling a Bitch!?! By Sacha Elie. Collectively, the shows of these performers represent a wide variety of solo performance styles including storytelling, cabaret, drag, historical biography, memoir as well as pieces that defy any kind of easy categorization. 
 

Sacha Elie will present Who You Calling a Bitch?!?

Produced by Brad McEntire, artistic director of Audacity Theatre Lab, the 2019 DSF will be the fifth festival of its kind since 2014’s inaugural festival. The purpose of the Dallas Solo Fest is to celebrate extraordinary solo theatre as well as increase awareness and appreciation for the form in the north Texas area. 
 
The Dallas Solo Fest is produced under the Audacity Theatre Lab banner and will play at Theatre Too! downstairs at Theatre Three, 2800 Routh Street, #168, Dallas, Texas 75201. Performances are Thursdays thru Sundays, June 6 – 16, 2019.
 

Justin Lemieux in Girl Dad [credit - Jordan Fraker]

Single tickets and Festival Passes for all shows went on sale May 1, 2019.  Festival Passes include one admission to each festival show and are $65.  Individual ticket prices for each show are $15. Reservations can be made online via the Dallas Solo Fest website or by calling (214) 888-6650. Details about the shows, artists’ bios, the full schedule and ticket information here at the festival website: www.DallasSoloFest.com



Monday, February 25, 2019

Audacity Solo Salon - Spring 2019

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The aim of the Audacity Solo Salon is to support and nurture both established and emerging solo performers in the north Texas area. It is also a way to extend the mission of the Dallas Solo Fest beyond just the annual festival itself.

This quarterly series will be a way for solo artists to present, rehearse, experiement with and develop their work in front of supportive audiences. Come on out and see a new one-person show in progress...

This installment in what has become a semi-quarterly series from Audacity Theatre Lab will feature excerpts from solo shows-in-progress by Justin LemieuxErin Singleton and Abel Flores.

Monday, April 1st @ 7:30 pm
At the Margo Jones Theatre in Fair Park, Dallas TX
For directions and parking information visit... HERE

Admission is P-W-Y-C, with any and all donations are welcome (donations go towards the the Dallas Solo Fest).
Also BYOB!

The Excerpts:
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Justin Lemieux
Girl Dad - Written and Perfomed by Justin Lemieux
A rollercoaster journey through relationships, Girl Dad is a heart-warming exploration of one man's understanding of masculinity. When Justin becomes father to only daughters his expectations are upended and he must confront his assumptions about what girls experience in the world.
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Erin Singleton
Diagnose Me - Written and Performed by Erin Singleton
Erin can spot misalignments. In this rousing show formatted like a TED talk-turned-confessional, Erin explores what happens when a person confronts her crippling need to fix the people in her life, but can't.
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Tyler Cochran
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Abel Flores, Jr.
AFJ - Written by Abel Flores, Jr. & Tyler Cochran, Performed by Abel Flores, Jr.
AFJ wants to be president and everything is riding on this speech. Will he be able to get your vote or crack under the pressure of his bold promises? This one-man show harkens back to the great political speeches of our past world leaders while still reminding us of the haunting qualities of the current political climate. Co-written by Tyler Cochran, Abel Flores Jr. brings his alter ego, AFJ, to the spotlight with a performance that will allow audiences to witness the absurdity of certain candidates that we know all too well.

Friday, September 14, 2018

Audience review of opening night of ROBERT'S ETERNAL GOLDFISH at 2018 Elgin Fringe

Side Street Studio Arts' BackSpace

Audacity Theatre Lab
- Ross
Masterful, intense, poignant, brilliant, insightful, oh and did I say intense? By far one of the best storytellers I've ever seen, well delivered and meaningful. I'll be talking about this one for a long time. This show is likely the best of show Fringe 2018. A must see.



Sunday, August 12, 2018

Audience Reviews from the Minnesota Fringe

Here's ATL artist Brad McEntire talking about his exerience at the 2018 Minnesota Fringe Festival...

Performing Robert's Eternal Goldfish at the 2018 Minnesota Fringe
So, here's something I did not know. Here at the Minnesota Fringe, ANYONE can leave a review of your show on the festival website. I spotted the first of these reviews the other day and thought, "Huh, the arts journalists around here sure are casual..."

Then, a fellow performer told me that audience members can leave reviews and all the reviews go public on the website, right under the information about your show.

I am of two minds on this. On one side, it scares the crap out of me that just anyone can put up their opinion of the show on my official festival page. I mean, some audience members are more savvy than others. The show is not for everybody. As a performer and playwright, I know I am an acquired taste. So, this just-let-anyone-write-anything approach seems a bit dangerous, even counter-productive for getting people to the show. What if someone doesn't like it, doesn't get it and then shouts from the rooftops for others to avoid it? They probably will and two things happen. I'm out an audience, and my potential audience is out a potentially awesome theatre experience.

On the other hand, in general, I like feedback. I like interaction with my audience not just during the show, but after it as well. And a good write up is a good write up, whether it is from a capable arts journalist or not (and let's not be naive here, a really capable arts journalist reviewing the show is kind of a rarity nowadays).

So, for good or ill, I collected the reviews I recieved for my solo show Robert's Eternal Goldfish during the 2018 Minnesota Fringe. Here's what people had to say...


A ball of light
There's a lot of things I 'hate' in this world, but this is not one of them. Delightful story.
~ Ariel Leaf




Very Enjoyable
A bit of a slow start, but picks up very quickly. Great acting and enjoyable story.
~ Bernadette Hollyday




Deftly told
A personal story that makes you think about how events in our past shape how we approach situations today. Highly professionally told.
~ Beth Wegener




Believable Nightmares!
Nice job!
~ Darla Swanson




Interesting story
A good story. A bit too much anger for me at times with struggle toward resolution. Always kept my attention.
~ Gene bard




Pre-review review, I like ton review before reviews
Here's a refreshing breath of fresh air of a solo show. while it appears on the surface as a conventional memoir-based storytelling show, it cleverly shapeshifts into a fictional character study w/ smatterings of magic, fantasy, and sci-fi leanings. while the misanthropy, sarcasm, and extreme anti-social leanings of "robert" seem abrasive, it's deliciously intentional and only feeds the dark pitch black comedy. i'm recommending this show to everyone, and only wish there was a more..."theatrical" way to convey the goldfish & bowl to match the cleverness of the twisty-turny story, but come on, that's the minorest of criticisms. well done!
~ Jeremy Motz




Nice and angry
Lots of anger in this one, especially in the beginning, but it is a nicely told story, and ends on a nice note.
~ Mark Webb




McEntire takes the audience on a weird journey
Over the course of an hour, Brad McEntire takes us on the journey of a man trapped by his own anger. At times hilarious, frightening and insightful, McEntire balances the easy-going stylings of stand-up comedy with the intensity of an exorcism. Also, there's a cute cardboard goldfish! See it!
~ Phil Gonzales





Good but not stellar
I like misanthropic characters. Especially when their misanthropy is channeled into humorous tirades against the foolish conventions of society, or apoplectic fits over the seemingly trivial. While there is some of that to be seen and heard here, the "magical" aspect of the story and overall character development arc leads down a somewhat different path, which I personally both liked and disliked. When I read a review that the character Robert is like a cross between George Costanza and Lewis Black, I developed certain false expectations about the performance prior to my attendance. My advice: shed any expectations and enjoy the character for who he is rather than for who you might want him to be. Overall, good performance but I did not find myself fully absorbed in the story.
~ R D




The Carp Came Back
Initially, I was put off by the performer. He was a little too loud and too "in your face" for me. But he soon toned it down, the story progressed, and I warmed up to him. He creates a vivid character, initially mired in misanthropy and with a long and funny litany of things he hates. A chance encounter with a persistently friendly lady at a coffee shop leads to a string of strange events which gradually warm his cold, cold heart. This is a show worth seeing.
~ Reid Gagle




Original page... HERE


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Saturday, June 23, 2018

Press for the 2018 Dallas Solo Fest


Not extensive, but a decent amount of press for the 2018 Dallas Solo Fest. Links to articles/reviews below:

DSF Review: PerVirgin [TheaterJones.com | Janice Franklin | June 8, 2018]

DSF Review: Meatball Seance [TheaterJones.com | Frank Garrett | June 8, 2018]


DSF Review: A Different Way of Thinking [TheaterJones.com | Martha Heimberg | June 7, 2018]


Solo Fest Q-and-A: Brad McEntire [TheaterJones.com | Mark Lowry | June 7, 2018]


DSF Review: Drunk Lion [TheaterJones.com | Teresa Marrero | June 8, 2018]


 Dallas Solo Fest, a jazz trio, a big band, Memphis Soul and Johnny Cupcakes this weekend in East Dallas [Lakewood Advocate | Will Maddox | June 6, 2018]


Dallas Solo Fest 2018 [Park Cities People | June 6, 2018]


Solo Fest Q-and-A: John Michael [TheaterJones.com | Mark Lowry | June 5, 2018]


Dallas Solo Fest Schedule [TheaterJones.com | Mark Lowry | June 1, 2018]


Meatball Therapy [Dallas Voice | Arnold Wayne Jones | June 1, 2018]


Events Listing: Dallas Solo Fest [ FunCityStuff.com | May 25, 2018]


Presenting the 2018 Dallas Solo Fest [YouTube | May 24, 2018]


Cody Clark: A Different Way of Thinking at Dallas Solo Fest [TexasAutismSociety.org | Carolina Sarria | May 10, 2018 ]


2018 Dallas Solo Fest [Art & Seek | May 4, 2018]


Audacity Theatre Lab presents the 2018 Dallas Solo Fest [Culture Map Dallas | May 2, 2018]


Dallas Solo Fest at Dallas Children's Theatre's Rosewood Center [Guidelive.com | May 2, 2018]


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